Friday, March 4, 2016

The Waist is like an Axle; the Hands are like Revolving Wheels (腰如軸立,手似輪行) from The Real Theory of Baguazhang (八卦掌真理篇) by Jiāng Róngqiáo (薑容樵)

腰如軸立,手似輪行

八卦掌在鍛煉時必須以腰部構成運動的軸心,手動必先身動,身動必先腰動,使腰帶動一切。八卦掌在換掌的時候必須使手臂的動作如車輪那樣形成圓圈,因為圓形動轉較為靈敏,又含著連環不斷的作用。

薑容樵
“During Baguazhang practice the waist constitutes the key axle of every movement: for the hands to move, the body must move first; for the body to move, the waist must move first; the use of the waist spurs all movements. In Baguazhang during the palms transformations it is necessary to apply a round shape and employ the hands and arms in revolving movements. Turning in circular movements in fairly agile and the result is to keep the chain of movements uninterrupted."

From the book Bāguàzhăng Practice Method (八卦掌練習法), by Jiāng Róngqiáo (薑容樵), based on the translation by Joseph Crandall

Friday, February 19, 2016

Six and More Unions (六) from The Essentials of Yue Fei's Boxing Art (附岳武穆形意拳術要論)

第五章 六、要論

心與意合,意與氣合,氣與力合,內三合也,手與足合,肘與膝合,肩與胯合,外三合也,此為六合,左手與右足相合,左肘與右膝相合,左肩與右胯相合,右之與左以然,以及頭與手合,手與身合,身與步合,孰非外合,心與眼合,肝與筋合,脾與肉合,肺與身合,腎與骨合,孰非內合,豈但六合而已哉,然此特分而言之也,總之一運而無不動,一合而無不合,五形百骸,悉用其中矣。

岳飛
"Mind is united with intent, intent united with energy, energy united with power – these are the three internal unions. Hand is united with foot, elbow united with knee, shoulder united with hip – these are the three external unions. These together are the six unions.
Left hand is united with right foot, left elbow united with right knee, left shoulder united with right hip – likewise with left and right reversed. In addition, head is united with hand, hand united with torso, torso united with step. Are these not external unions? Heart is united with eye, liver united with sinew, spleen united with muscle, lungs united with torso, kidneys united with bones. Are these not internal unions? We cannot say there are only six unions, for these particular distinctions are also talked of.
It is always the case that when one part moves, all parts move, and when one part unites, all parts unite. Therein lies the complete functioning of the whole body in all of its parts.
" Excerpt from the translation by Paul Brennan of "The Art of Xingyi Boxing" (形意拳術) by Lǐ Jiànqiū​(李劍秋), to be found in the Brennan Translation blog.

Friday, February 12, 2016

The Explanation of Reversal of Yin and Yang in Taiji (太極陰陽顛倒解) by Yáng​ Bān​hóu​ (楊班侯)

太極陰陽顛倒解

陽:乾,天,日,火,離,放,出,發,對,開,臣,肉,用,氣,身,武,立命,方,呼,上,進,隅。
陰:坤,地,月、水,坎,卷,入,蓄,待,合、君,骨,體 , 理,心,文,盡性,圓,吸,下,退、正。
"Yang: the trigram Qian, heaven, sun, fire, fire, the trigram Li, to release, to come out, to emit, to confront, to open, the servant, flesh, application, Qi, physical body, martial, heaven-ordained, square, to exhale, upward, to advance and the corners.
Yin: the trigram Kun, earth, moon, water, the trigram Kan, to roll up, to go into, to store, to relat, to close, the ruler, bones, the body structure, core, rules, Xin, scholar, to accomplish one’s nature, round, to inhale, downward, to retreat and the sides."

蓋顛倒之理,水、火二字詳之,則可明。如火炎上,水潤下者,水能使人在下而用。水在上,則為顛倒。然非有法治之,則不得矣。譬如水入鼎內,而治火之上,鼎中之水,得火以燃之,不但水不能下潤,藉火氣,水必有溫時。火雖炎上,得鼎以隔之,是為有極之地,不使炎上之火無止息,亦不使潤下之水永滲漏。此所謂水火既濟之理也,顛倒之理也。若使任其火炎上,水潤下,必至火,水必分為二,則為火水未濟也。故雲分而為二,合之為一之理也。故雲一而二,二而一,總斯理為三,天、地、人也。
"The intrinsic order of reversal can be explained in detail by “water-fire”. The flames fire upward, water floats downward. If water is kept above, the situation is reversed, and one can use its power. If the method is not correctly applied, this goal cannot be achieved. If water is put in a cauldron and put over fire, the water inside the cauldron will be heated by the fire. Not only the water cannot run downwards and extinguish the fire, water will also warm up. Even if fire wants to move up, the cauldron serves as a separation. There is a separation that does not allow fire to move up liberating breathing, but also prevents water to leak downwards. This is called the system of “water-fire helping each other”, the theory of reversal. If one allows the flame to go upwards and water to run downwards, water and fire will be certainly separated and will not be able to support each other. Therefore it is said, when they are separated, there are two and when they are unified, they are one. Thus, one is two and two is one. In summary, it is from this rule, the Three (powers) heaven, earth and human are derived."
明此陰陽顛倒之理,則可與言道:知道,不可須臾離,則可與言人;能以人弘道,知道,不遠人,則可與言天地同體。上,天;下,地:人在其中矣。苟能參天察地,與日月合英明,與五嶽四瀆華朽,與四時之錯行,與草木並枯榮,明鬼種之吉兇,知人事興衰,則可言乾坤為一大天地,人為一小天地也。夫如人之身心,致知格物十天地之知能,則可言人之良知,良能。若思不失固有,其功用,浩然正氣,直養無害,攸久無疆矣。聽謂人身生成一小天地者,天也,性也;地也,命也;人也,虛靈也,神也。若不明之者,烏能配天地為三乎?然非盡性立命,窮神達化之功,胡為乎來哉!

楊班侯
"If the theory of reversal of Yin and Yang is understood, then it is possible to talk about the Dao. Once understood, it is not possible to separate from the Da and one can talk about what is human. If one is able to apply and perceive the Dao as something that is not far for us, the one is able to discuss how heaven and earth are similar to the body. Heaven is above, earth is below, and the human is between them. If one is able to refer to heaven’s laws and observe earth’s rules, unify oneself with the brightness with the sun and the moon, endure with the Five Sacred Mountains and Four Great Rivers, act in synchrony with the Four Seasons, wither and flourish with the grass and woods, comprehend the seeds of good and bad destinies of ghosts and deities, understand the prosperity and adversity of human affaires, then it may be said that Qian and Kun are like a large Heaven and Earth, while human affairs ar a small Heaven and Earth. Therefore, in terms of human’s body and mind, if one is able to study the underlying principles of Heaven and Earth, then one is capable of understanding the innate wisdom and abilities, one ponders without failing its inherent characterstics, its function, its vast righteousness, its continuous generation without harm, its infinite size and duration. When it is said that the human body is a small heaven and earth, it means that heaven is the intrinsic human nature, the earth is the physical life, what is human is insubstantial spirit and the soul. If this is unclear, how can one join Heaven and Earth and act as three powers? If one is unable to develop one’s intrinsic nature and establish a healthy life, how the exhausted soul cannot attain the goal of transformation?"

Based on the translation by Yang Jwing Ming (楊俊敏) presented in the book Tai Chi Secrets of the Yang Style (太極拳楊氏先哲秘要)

Friday, February 5, 2016

Raise levelly, Drop and Hook; Continuously Move Unhindered (起平落扣,連環縱橫) from The Real Theory of Baguazhang (八卦掌真理篇) by Jiāng Róngqiáo (薑容樵)

起平落扣,連環縱橫

起平是將腳提起時也要像足心涵空那樣平。落扣是說落步時不僅要平落,還要使腳裡扣。連環是不斷的意思,意識不斷,勁力不斷,動作不斷,從連環中生出縱橫,上下左右四面八方一氣連環。

薑容樵
“'Raise levelly' means that while liftting the leg one shall shall make the heart of the foot empty and that is level. 'Falling and hooking' means that the falling step not only must fall levelly, but also must hook inward. 'Continuous' means uninterrupted intention, unceasing awareness, constant force and continuous movement; from within continuity is generated the vertical and horizontal, the above and below, left and right, the four sides, the eight directions and the unified qi, all interconnected.."

From the book Bāguàzhăng Practice Method (八卦掌練習法), by Jiāng Róngqiáo (薑容樵), based on the translation by Joseph Crandall

Friday, January 29, 2016

Lively (活) from Foundation (基礎)Redondo (圓) de Fundamentos (基礎)

活

活者,靈活之謂。無笨重遲滯之意。上述各節貫通後,則伸屈開合、進退俯仰,無不自由。所謂能呼吸,而後能靈活也。
"Lively means agile. There is no clumsiness to block the intention. As mentioned in the paragraphs above, after every segment is linked up extend and bend, open and close, advance and retreat, lower and raise, will all be done freely. This means that from the ability to breathe comes agility."

By Wú Gōngzǎo (吳公藻), based on the translation by by Yang Jwing Ming (楊俊敏) presented in the book Tai Chi Secrets of the Wu Style (太極拳吳氏先哲秘要).
""

De Wú Gōngzǎo (吳公藻), baseado na tradução de Yang Jwing Ming (楊俊敏) apresentada no livro Tai Chi Secrets of the Wu Style (太極拳吳氏先哲秘要).

Friday, January 15, 2016

The Explanation of Eight, Five and Thirteen Postures in Long Fist (八五十三勢長拳解) by Yáng​ Bān​hóu​ (楊班侯)

八五十三勢長拳解

自己用功,一勢一式,用成之後,含之為長,滔滔不斷,周而復始,所以名“長拳”也。萬不得有一定之架子,恐日久入於滑拳也,又恐入於硬拳也,決不可失其綿軟。周身往復,精神意氣之本,用久自然貫通,無往不至,何堅不推也。於人對待,四手當先,亦自八門五步而來。跕四手,四手碾磨,進退四手,中四手,上下四手,三才四手,由下乘長拳四手起,大開大展,練至緊湊,屈伸自由之功,則升之中,上成矣。

楊班侯
"After succeeding in one’s diligent study of each posture and each form, they should be kept as in one long, continuous, endless cycle called therefore “Long Fist”. The form should not become fixed, it should be feared that it gradually becomes smooth, it should also be feared that it gradually becomes stiff, one should not lose the continuous flexibility. The back and forth movement of the whole body is the root of the spirit of vitality, the intention and the energy. After a long practice, they will all be linked together naturally and can be used at will. When sparring correctly with an opponent, if the four hands are suitable, they will be first, this is originated from the eight doors and the five steppings. Variating the four hands, turning and coiling with the four hands, advance and retreat with the four hands, keep the central equilibrium with the four hands, go up and down with these four hands, harmonize the three powers with these four hands. Start from the basic four hands of “Long Fist”, open and extend widely until they become compact and tight. This bending and extending freely as wished is the achievement of a higher level of skill."

Based on the translation by Yang Jwing Ming (楊俊敏) presented in the book Tai Chi Secrets of the Yang Style (太極拳楊氏先哲秘要)

Wednesday, January 13, 2016

Drinking Alone with the Moon (月下獨酌) by Lǐ​ Bái (李白)

月下獨酌

花間一壺酒, 獨酌無相親;
舉杯邀明月, 對影成三人。
月既不解飲, 影徒隨我身;
暫伴月將影, 行樂須及春。
我歌月徘徊, 我舞影零亂;
醒時同交歡, 醉後各分散。
永結無情遊, 相期邈雲漢。

李白
"From a pot of wine among the flowers
I drank alone. There was no one with me –
Till, raising my cup, I asked the bright moon
To bring me my shadow and make us three.
Alas, the moon was unable to drink
And my shadow tagged me vacantly;
But still for a while I had these friends
To cheer me through the end of spring....
I sang. The moon encouraged me.
I danced. My shadow tumbled after.
As long as I knew, we were boon companions.
And then I was drunk, and we lost one another.
...Shall goodwill ever be secure?
I watch the long road of the River of Stars."

Unless noted otherwise, all translations of Tang Poetry come from the Chinese Classics and Translations website, tranlations by Witter Bynner.